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Philipp Otto Runge
The Large Morning, 1809
oil on canvas, 152 x 113 cm
Hamburger Kunsthalle
 

Philipp Otto Runge
The Children Hülsenbeck, 1805/06
oil on canvas, 131,5 x 143,5 cm
Hamburger Kunsthalle
 

Philipp Otto Runge
The Children Hülsenbeck, 1805
black ink over pencil, 55,1 x 61 cm
Hamburger Kunsthalle, Kupferstichkabinett
 

Philipp Otto Runge
Self-portrait with Brown Collar, ca. 1802
oil on canvas, 37 x 31,5 cm
© Hamburger Kunsthalle und Runge Erben
 

Philipp Otto Runge
Arion’s Sea-Ride, 1809
black ink, watercolour, 50,6 x 118,4 cm
Hamburger Kunsthalle
 

Philipp Otto Runge
The Triumph of Amor, 1802
oil on canvas, 66,5 x 172 cm
Hamburger Kunsthalle
 

Philipp Otto Runge
The little Perthes, 1805
oil on canvas, 143,5 x 95 cm
Klassik Stiftung Weimar, Museen
 

Philipp Otto Runge
The Pleasures of the Hunt, 1808/09
watercolour on paper, 96 x 63 cm
Hamburger Kunsthalle
 

Philipp Otto Runge
A Dog barking at the Moon
white scissor-cut silhouette on bleu paper, 2,4 x 3,8 cm (top), 3,95 x 2,9 cm (bottom)
Hamburger Kunsthalle, Kupferstichkabinett

all images of Hamburger Kunsthalle
© bpk/Elke Walford und Christoph Irrgang



 
  The Kunsthalle der Hypo-Kulturstiftung (the Hypo Cultural Foundation) in Munich is presenting the Romantic artist Philipp Otto Runge (1777–1810). This first retrospective exhibition outside Hamburg includes some 300 paintings and works on paper by this artistic genius who died too young. In addition to Caspar David Friedrich, Runge is considered the most important founder of German Romanticism.

With 25 paintings, over 200 drawings and some 50 paper cut-outs, the show covers Runge's entire career, and offers a glimpse into his cosmos. His struggle towards a new art and his efforts to create an adequate mode of expression for the era around 1800 find culmination in his principal graphic works, exploring the four times of day (1803 and after), as well as in the famous painting entitled "The Great Morning" (1809). In addition, his portraits of close friends and family provide deep insight into his biography. The multitude of sketches and drawings in which Runge approached his topics proves to be the key to a complex appreciation of painting and art.

Runge was inspired by the vision of uniting the art of painting, poetry, music and architecture in a so-called Gesamtkunstwerk, or total work of art, thereby exploring unchartered artistic terrain. In his paintings, he attempted to depict the understanding of nature based on the cycle of life, a concept typical of the Romantic Era. However, his many self-portraits also serve as a vivid testimony to his intensive questioning of himself as a person, which proved to be a starting point for his understanding of transcendence and cosmos. Runge used his depictions of children, particularly in paintings like "The Little Perthes" (1805) or "The Children Hülsenbeck" (1805), to establish a fresh look at the budding individual in art. The delicate scissor-cut silhouettes, masterpieces in their natural accuracy and abstraction, bear witness to his versatility.

This retrospective is divided into ten sections, which are organised partly according to genre, partly according to thematic and medium aspects: the self-portraits form the prelude, along with Runge's early works and pieces from his time at the Academy, followed by his first independent compositions. The chapter entitled "Picture and Frame" features his analysis of the arabesque in Romantic art. At the core of the exhibition are the four "Times of the Day" which represent the key to his artistic work. Then there is an excursus dedicated to Runge's Theory of Colours, before the exhibition continues with the artist's portraits. These are followed by a series of religious works and literary illustrations; a profusion of scissor-cuts and silhouettes forms the conclusion. In addition, the results of a research project by the Hamburg Kunsthalle's conservation department document the latest findings on Philipp Otto Runge's painting technique.

Owing to the highly delicate nature of his works, Runge's oeuvre has seldom been exhibited outside Hamburg. To mark the 200th anniversary of the artist's death, Markus Bertsch, Jenns Howoldt and Andreas Stolzenburg, curators of the Hamburg Kunsthalle, have developed this comprehensive exhibition for Hamburg and Munich. Following the resounding success of the retrospective in Hamburg that ran from December 3, 2010 to March 13, 2011, we are particularly delighted to be able to present this pioneering innovator of Romanticism for the first time in Munich. Hirmer Verlag Munich has published a comprehensive, fully illustrated catalogue.